The Master of Fine Arts is a project based, non-media specific curriculum that focuses on individual artistic development and creative leadership. The program brings together talented individuals from a variety of different media building a community that fosters exploration, professionalism and creative success.

Each semester students develop, propose and execute projects; the development and iteration of these projects is a creative act in itself and a core concept of the program. The goal is twofold, to center the graduate experience in the conceptual and production processes of sophisticated art making, and to graduate individuals who are capable of successfully developing, organizing and executing complex artistic/entrepreneurial endeavors.  Projects based in all traditional fine art media along with environmental art, new media and installation can be accommodated.

The School of Art offers state of the art facilities for intensive graduate study. The 6000 square ft. Melvin Graduate Studios provides spacious light-filled studios with mountain views and a large gallery for student exhibitions. With a working kitchen, and 12 semi-private studios, you will feel right at home.  Students have the space to work on large wall works or enjoy the ample floor space for 3-D art making. The facility includes a wood shop with a band saw, table saw, and drill press as well as electric, gas, and woodfired kilns for ceramics. The Graduate Art Studio also provides Wi-Fi Internet access.

 

HOW TO APPLY

The MFA Program is highly competitive and accepts a limited number of students each year. The Faculty meets as a group to view portfolios, assess compatibility and look for achievements within the artists’ field of work.

All supporting materials, besides transcripts, must be electronically submitted by Feb. 15th for full consideration.

A list of required materials are: 

Application.  The application is available online for a non-refundable application fee of $70 please go to the Graduate School site. The School of Art does not accept paper applications, only the electronic version.

Any application which is received after the deadline will be considered on a case by case basis.

Current Resume/CV.

Artist Statement. Prepare an artist statement addressing your work, including what you see as your major issues. The statement should intend to explain, justify, extend, and/or contextualize your own body of work. It should place or attempt to place the work in relationship to art history, critical theory, and the contemporary art world; it is therefore didactic, descriptive, or reflective in nature. Further, the statement shows that you are conscious of your intentions, aware of your practice and its position within art parameters and of the discourse surrounding it. Therefore, not only should it describe and place, but it should indicate the level of your own comprehension of the field and making. Consider this paper to be a comprehensive and serious statement of your work to date, and it will be seen as part of your total presentation during the application review process. The statement is not optional.

Image/Art Portfolio. Please upload one single PDF with up to twenty images representative of your most current work. Admission to the MFA program is highly competitive and consideration by the faculty of the quality of your work (as represented by images of good quality) is a very important factor. 

Official Transcripts. You will not need to provide transcripts for credits prior to obtaining your undergraduate degree, if those credits and grades appear on the undergraduate transcript. Official transcripts can be sent electronically to art@montana.edu or by mail to: MSU, School of Art, 213 Haynes Hall, P.O. Box 173680, Bozeman MT 59717. Please let us know you are applying to the MFA program before sending transcripts, so we know to expect the documents.  Unoffical transcripts may be uploaded by the applicant during the application process and the application will be reviewed, however no official action can be taken until official copies are received. Undergraduate alumni of MSU-Bozeman do not need to submit official MSU transcripts, however uploading unofficial transcripts during the application process is helpful.

Three (3) Professional References. During this online process, you will be asked to provide information about your references. This electronic process will prompt each reference to submit a signed reference letter and complete a recommendation form. The required letters should address your capacity and ability to pursue a graduate program.

Personal Statement or additional supporting materials – optional.

International students. In addition to the above, international applicants will be required to submit a variety of additional documentation including English proficiency scores. Please see the International application process page for further information.

Graduate Teaching Assistants (GTAs) are awarded annually and include tuition waivers and stipend. The GTA position also includes pedagogical training and shadowing upper level studio faculty in their classrooms to prepare you for the opportunity to become a full GTA and instructor of record in your second and third years in the program.

If you are not a Montana resident and do not want the GTA teaching opportunity  you may be eligible for 150% off of in-state tuition under the WRGP-WICHE program. The receipt of a WRGP tuition change is not automatic and is subject to an additional review by the Graduate School and the College of Arts & Architecture. If you would like to be nominated to receive one of these limited spots, please request consideration on the bottom of page 7 (check box) of the online application. Then on page 8 upload a brief memo explaining why you feel you should be nominated. If awarded, you will be notified at the time of admission.

If you have any further questions, please contact the MFA Coordinator, Rollin Beamish, at rollin.beamish@montana.edu Or if you would like some general information about Graduate School please fill out the inquiry form here.

Graduate Students

Sam Joyner | 3rd Year

 

Kevin Tracy | 3rd Year

 

joshua p collins | 3rd Year

Landscape painting in desaturated greens and browns. Three abstracted figures emerge from the land like guardians with the middle most having a large, anatomical heart visible in their chest.The first page of a handcrafted artist book including the title which reads "BINARY WOODS joshua p collins." There is minimal print work, only two overlapping river patterns in dark brown and lighter red.Painting of abstracted train tracks with overgrowing grass in mostly brown and greens. A strip of raw canvas in the center of the painting separates the image except for the center. Among the track lines are the words "change will come" partially obscured and repeating along the structure.Detail shot of an accordion book featuring abstracted, orange figures printed on top of a deconstructed subway car image. Five figures are visible in the chosen detail spot.Art installation of four double sided, free hanging canvas paintings around a sectioned off square full of mulch. The artist is lying face down in the center of the mulch pit, surrounded by the paintings on each corner of the square.

Click on an image to view as a slideshow.

Cooper Hovious | 2nd Year

Click on an image to view as a slideshow.

Mya Cluff | 2nd Year 

Click on an image to view as a slideshow.

Naji Haska | 2nd Year 

Click on an image to view as a slideshow.

Quinn Ward | 2nd Year

Click on an image to view as a slideshow.

Alyssa Zavocki | 1st Year

Quilt made out of colorful ceramic tiles with a white lace border.Sculpted ceramic fruits with bites taken out of them resting in a red ceramic bowl.A tree-like structure made out of brown clay that has colorful ceramic flowers inserted in the stems. The piece is modular, and excess flowers lie in the surrounding space.A turquoise colored jar with large circular loop forms for handles on the side and on the lid.

Click on an image to view as a slideshow.

Paola Terrazas Olmedo | 1st Year

 

Patricia Keller | 1st Year

Two female figure busts facing each other emerging from a dried pool of clay on the ground.Tumbled glazed stoneware pottery shards glued to wall at eye-level in a loose mosaic pattern.Impression of leg in wet sand filled with tumbled glazed stoneware pottery shards.Underwater close-up of small clustered white wax cups filled with slaked clay. Impression of leg in dry, cracked clay on ground.

Click on an image to view as a slideshow.

Ruby Winocur | 1st Year

An assemblage on unstretched canvas, primarily paint with flourishes of thread and adhesive rhinestones. The background is the phrase "nervous system" repeated in pine green letters with a near life-size red figure with yellow nerves that fall off the canvas as string. "Nerves" in black letters and black string is located in the bottom right.Two pieces are displayed on a gallery wall. One is a fluorescent gradient on 3 canvases from pink to orange to yellow, while the other is a pair of small folded puzzle purses sitting on a shelf below.A bright yellow ceramic banana with cartoonish red lips baring a grimace burst out of the side.A ceramic piece of coral covered in glossy splotches of various colors aside from matte white sections, including webbing between tubes of coral.

Click on an image to view as a slideshow.

 

 

|Assessment Report of MFA Program 2015-16 | Graduate Assessment Form | MFA Handbook | Archive of our MFA Graduates |